Capacitor Choice

Please excuse the off-topic post in sci.global-warming. ;-)

I have 2 audio circuits that I need to be capacitively coupled at around 5uF to 10uF.

The problem is that one of the stages has power removed from it for about 2/3 of the devices operating time. Obviously, the audio functionality is not needed at these times.

The main supply is 5V and the switched supply is 12V.

The DC offset for the continuously powered stage is about 2.4 Volts, and the switched stage is about 5.8V.

In general, I like to design circuits with a small range of components as all our projects are very low volume. This is especially true with SM components, which is what I need to use in this case.

I will often use 2 (and sometimes 3) components to avoid buying in a new value.

These are the possible solutions as I see it.

1/ SM Bipolar Electros. Expensive, and are not a normally stocked part.

2/SM Ceramic.

1uF is the largest value we keep. I could probably get away with 3uF, although that would not be ideal, but that is still 3 capacitors, and the main problem with ceramics is microphonics.

3/ SM Tantalum. BANG! Well, at least, I don't expect them to last very long before becoming leaky.

4/ 2 series 10uF Tant. ---||+--+||--- I've done this with normal electros in the past, but don't know how tantalums would handle it.

5/ SM Tantalum with circuit modification. By adding a couple of diodes I could power the second stage from the

5V rail while the 12V supply is missing. this would still mean a slight reverse voltage of about 0.3V when the 12V supply is missing.

This is the one I'm leaning toward. Does anyone know if tantalums can normally handle that for long periods?

Any other thoughts? These are the only in-stock parts that come close:

10uF/16V SM Tant. 22uF/16V SM Tant. 1uF/50V SM Ceramic.
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- Mike
Reply to
Mike Warren
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as long as the audio voltage is a small fraction of the DC voltage, selection 4 will be fine..

Mark

Reply to
Mark

Use two bipolar caps - Al or tantalum - back to back, and place a resistor between their common terminal and ground.

+2.4V + + +5.8V

--------||-----||-------- | / \ / R \ / | | GND

Reply to
pimpom

Thanks for your input.

using 2 capacitors is still not the preferred way. I just realised I could increase the reference voltage by a volt on the second stage by changing one resistor and by using the diodes so the second supply goes to 5V instead of 0V I would still have a positive voltage on the caps.

I'd lose a bit of headroom, but not enough to worry about, I think.

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- Mike
Reply to
Mike Warren

Thanks.

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- Mike
Reply to
Mike Warren

I should probably explain why. There are 8 channels of audio involved here, so 2 diodes is better than 8 capacitors.

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- Mike
Reply to
Mike Warren

Bipolar electros are just 2 'back-to-back normal electros.

My advice ? Couple with 2 normal aluminium electros in series with the + terminals joined together and bias that centre tap via the highest value R you have from a non-switched supply voltage. I've done this myself when film cap values would have otherwise been required but were too expensive and or too hungry on board space.

Graham

Reply to
Eeyore

You mean polarised caps surely ?

Similar to my suggestion too but simpler in a way since GND is convenient.

The reason I went for another idea is that I normally work with bipolar supplies and unpredictable offsets would prevent your method working for me. In this case the positive only supplies makes your idea the better one.

Graham

Reply to
Eeyore

Oops! Yes, I do mean polarised caps.

I too face that dilemma at times, as when coupling two points at near-zero dc potentials, but with unpredictable polarities and a significant ac component.

Ceramics of more than 0.1uF are not commonly available where I live, plastic film caps are too expensive and/or bulky unless signal fidelity demands their use. Sometimes I try to adjust impedances so that the low-freq cutoff and phase shift will be acceptable with 0.1uF, at other times I use two polarised caps back to back - a rather clunky solution.

Reply to
pimpom

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