Late at night, by candle light, Brandon penned this immortal opus:
He means the input impedance affecting passive pickups. Impedance wise they're a mess. Load it too heavily and you lose the high end. Load it too lightly and you may get a peak at the high end making it sound too bright and kind of scratchy. Most guitar amps have about one megohm input impedance.
It might have been a mistake mentioning a DJ crossfader because I really do want a linear fade. That was just an example. It seems to be the consensus that running a resistor to the ground will give me a "dip" (which I don't actually want.)
The gain on the second stage is something I kind of skipped over I guess. I have it setup as a voltage follower in a non-inverting configuration so the gain will be 1+Rinput/Rfeedback and since the feedback loop has no resistor, I didn't think about the input resistance. I agree that I definitely need a fixed resistor but will adding one prevent the mix from reaching 100% A and 0% B? Won't the sources' "presence" at the second stage's input be determined by the ratio of the resistance along their path to the 2nd stage? Suppose that both of the opamps in the 1st stage had a 100K resistor between them and the 100K pot and then the wiper of the pot goes to the input of the 2nd stage's opamp. If the pot were in the middle position, both of the input signals would follow a path with a resistance of 50K
+100K so the two would mix 1:1. But if the pot was positioned toward one end, one of the signals's paths would have a resistance of 100K
+100K=200K and the other would have a resistance of 0K+100K=100K so they would mix 2:1, not 1:0. And I think the same would be true if the two fixed resistors were replaces with one resistor between the pot and the 2nd stage input.
Maybe I would be better off just making the two opamps in the 1st stage inverting and using the pot to control their gain from 0 to 1. Then the two outputs could easily be mixed 1:1 with fixed resistors.
Oh, wait. What was I thinking? That would be really nice but I can't do it because the the whole point of those opamps in my circuit is to act as a buffer (with a high input impedance) for signals coming from external sources with unknown resistances. Otherwise, that would be the perfect solution. Maybe I'll have to consider adding another set of opamps and do my blending that way if there isn't a satisfactory way of blending all the way to 0% : 100% using just a pot and resistors between two opamps.
There are three concerns here. First, the 100K value is a little high, 10K is a good value for circa 1V signals. High impedances cause pickup and noise, while low impedance can contribute to bass distortion (your op amps actually heat and cool and the thermal drift causes a bass audio distortion source).
Second, the 'third opamp' should be connected as an inverting amplifier, feedback resistor from output to the summing junction. That makes the pot wiper a 'pseudo-ground' and prevents the buffer amplifiers from seeing variances in load due to the other buffer's signal. It also allows you to largely ignore CMRR for that third amplifier. Note this means a minimum resistance should be maintained, you want to connect the buffers to the potentiometer through a 1k fixed resistor.
Third, there are situations where (for instance) right/left channel signals have a significant phase relationship, and the wrong blending would cancel the signal instead of reinforcing it. It's useful to have a relative-polarity-reversal switch in this kind of signal blender.
Often for audio, an input can go open circuit (wire pulled loose); if your buffers are inverting op amps, that's OK. If they're followers, that makes the input likely to hum loudly at 60 Hz... we've all heard that happen.
I hate to say it but not entirely. When you say "pot yes, resistors no" do you mean it will works as expected with the pot ("pot yes") but not when you add the fixed resistors ("resistors no")? If that IS what you meant, then it looks like I a might need to redesign things a bit since 0-100% is what I am after but a fixed resistor is needed to keep the second stage's gain in check when the pot is all the way to one end.
If that is not what you meant (I could get 0-100% using both a pot and fixed resistors), I'll believe it (you guys are the experts) but I am still curious how the numbers work out. In one of my last posts, I was working under the assumption that the ratio of signal reaching the
2nd stage's input was the the same as the ratio of the resistance along each signal's path from the 1st stage's outputs to the 2nd stage's input. Is that right?
You really have to drive an op amp hard to see thermal distortion. This is more of an issue with circuits that have low amounts of feedback.
I'm not sure I approve of this scheme. FIrst of all, yes, the inverting amplifier configuration has less issues with the CMRR. But putting the wiper direction to the negative input means you have the standard inverting configuration, Say op amp 1 has resistor R1 going to the center tap Op amp 2 has resistor R2. [The potentiometer is of value R1 + R2. For the third op amp, you have feedback resistor RF. Using your scheme, we can consider R1 and R2 to have minimum values of Rmin, which you set to 1k. Now at the extreme position, isn't the gain of the 3rd op amp RF/Rmin? But as you add resistance (move the pot positon) the gain drops to RF/R1 from the op amp 1 path. The other resistor should fall out of the picture in the gain equation since it has no potential across it in a superposition sense.
Maybe I interpretted your circuit description incorrectly.
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