Tom MacIntyre wrote in news: snipped-for-privacy@4ax.com:
That would form the first 15 overtones of a natural harmonic series based on a fundamental of 100 Hz, and yes, it does sound cool. :) If you've got a synthesizer with either microtuning scales, or a resonant filter, you could set that up.
Heck, took me about 3 minutes with Sound Forge. (Use the "Synthesis" tool.) Interesting scale. Sounds like the intervals get flat going up, to my ear. (Probably because it's untempered.)
--
Pierre, mon ami. Jetez encore un Scientologiste
dans le baquet d\'acide.
- from a posting in alt.religion.scientology titled
"France recommends dissolving Scientologists"
"Phil Allison" wrote in news: snipped-for-privacy@individual.net:
Sledge away mate, you know it makes sense. :)
Remember this little gem:
[quote, you, earlier post] It has equal amounts of noise energy in equal amounts of bandwidth.
So, 50% of the noise energy is in the band from 10 kHz to 20 kHz.
90 % is in the band from 2kHz to 20 kHz.
95 % is in the band from 1 kHz to 20 kHz.
99% is in the band from 200Hz to 20 kHz. [/quote]
That looks like what I said, an equal spread across the frequency plot of the spectrum. Pink noise, is as you said, the spread across the pitch plot.
If I took your line I could say that 99% was in the band up to 19.8 KHz (1% from there to 20 KHz) and suggest that the LF was dominating. The asymmetry comes from the change from plotting white noise as frequency, to plotting as pitch.
white noise is evenly distributed by frequency. (per Hz)
But frequency perception is logarythmic, each octave has twice as many Hz from end to end as the one below it therefore, with white noise, twice as much energy as the one below it.
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