My boss laid a unit on my desk today. Its got ten electret mics fed into one low noise opamp. Any ideas how they did this without a ton of noise. All I can see from the board layout is it is NOT the classic op amp summer.
Any suggestions for papers on low noise signal combining?
Assuming they are the bufferless version, aren't they all simply in parallel? ...Jim Thompson
-- | James E.Thompson, CTO | mens | | Analog Innovations, Inc. | et | | Analog/Mixed-Signal ASIC's and Discrete Systems | manus | | Phoenix, Arizona 85048 Skype: Contacts Only | | | Voice:(480)460-2350 Fax: Available upon request | Brass Rat | | E-mail Icon at
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** Likely all the mics are simply wired in series and supplied with power from a DC current source and the signal taken from the top most mic. The s/n advantage comes from *correlation*.
The 10 noise signals ( from the internal JFET pre-amps) are un-correlated while the sound arriving at each co-sited mic will be heavily correlated. So the output signal will be 10 times that of one mic, while the self noise will be only 3.16 times - so a 10 dB improvement is possible.
I suspect the mics are arranged to create a directional pick up pattern too.
BTW
Dynamic mics have much less self noise than typical electrets - cos there is no internal pre-amp. Means it is easy to get a 10dB or more improvement, just by using one instead.
They are available WITHOUT the FET. I have an RFQ on my desk requesting a complex chip that will use Electrets sans FET's. ...Jim Thompson
--
| James E.Thompson, CTO | mens |
| Analog Innovations, Inc. | et |
| Analog/Mixed-Signal ASIC's and Discrete Systems | manus |
| Phoenix, Arizona 85048 Skype: Contacts Only | |
| Voice:(480)460-2350 Fax: Available upon request | Brass Rat |
| E-mail Icon at http://www.analog-innovations.com | 1962 |
Help save the environment!
Please dispose of socialism properly!
Ok, each mic has a surface mount network around it for frequency shaping. and each one has a internal fet. Until I can dig into it in the morning I don't know the values, 805 parts that I cant see until I get a microscope. A bit of probing reveals the outer ones are tailored to low freqs, inner ones to highs, and gain increases towards the centers of the array.
Uh ? What's a 'mixer front end' ? Obviously you're not an audio professional and haven't a clue about current practice. You can make a mix stage today using inexpensive off the shelf parts that has 100dB or more dynamic range quite easily.
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