CMOS synth built around a CD40106 hex inverter

Oct 12, 2026 Last reply: 1 day ago 3 Replies
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The most surprising part of this build is how much range comes out of one chip and one knob. With the 0.1 uF ceramic in place, the circuit gives a high-pitched tone that shifts as the 10k potentiometer turns. Swap in the 10 uF electrolytic and you get a lower buzz, while the 100 uF one turns the output into rhythmic clicks whose speed can be adjusted. Three capacitors, three totally different sounds, from a single oscillator stage.



The circuit itself is a simple audio oscillator built on the CD40106 hex Schmitt-trigger inverter, powered by a 9V battery with a clip connector. PhilStudio puts the IC in a 14-pin DIP socket on a prototype perfboard, with two 7-pin screw terminal blocks carrying the connections, a power-indicator LED with its current-limiting resistor, and a 1/8-inch audio jack. Output goes to an LM386 amplifier board with a small speaker for testing.



The assembly method stands out to me. Every hookup wire gets a crimped ferrule before being soldered to the capacitors, potentiometer, and jack, then everything wires into the terminal blocks step by step. Before any soldering, a whiteboard session diagrams the IC pinout, with pin 14 to V+ and pin 7 to ground, and explains how a capacitor to ground plus a feedback potentiometer oscillates through charging and discharging cycles. A schematic and a frequency equation come with the parts list, and the CD40106 datasheet is linked too.



One open thread: the host says the circuit will be expanded in a future video, so this looks like a starting point rather than a finished instrument. That seems like the right place to leave it.



Project by PhilStudio. Watch it on their YouTube channel:

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The crimped ferrules on every wire before soldering seem like a genuinely smart call. Perfboard projects usually end up with fragile joints where the board meets the outside world, and ferrules plus screw terminal blocks should survive being rebuilt or reconfigured many times. For a circuit meant to be expanded later, that trade in extra soldering time for durability looks worth it to me.

How are the three capacitors swapped in practice? Are they wired to separate terminal block positions so you just move one lead over, or does changing between the 0.1 uF, 10 uF, and 100 uF values mean desoldering each time? The way that switching is arranged would make a big difference to how fun the build is to play with.

A concrete idea for the expansion the host mentioned: since the 100 uF stage already produces clicks at adjustable speeds, using that output to modulate the tone from the 0.1 uF oscillator could turn the whole thing into a little drum machine. The parts are all already on the board, so it might need nothing more than a jumper between two terminal block positions and maybe one extra potentiometer.

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