The trick is to not work at full zoom. Nobody soldering under a scope runs it at max magnification the whole time. Drop down to the lowest setting while you've got the iron or hot air in play, enough that you can see the pad plus some of the surrounding board. The wide view is what tells you where heat is going, wheather the component is shifting, and if flux is bubbling somewhere you weren't watching. Then when you're done with a joint, crank it up just to inspect the result and drop it back down for the next one. Trying to do the actual heating at high magnification is what's making you nervous, and rightfully so, because at that zoom you genuinely can't see the tip approaching the joint until it's too late.
On the lighting question, glare off shiny metal is mostly about angle, not brightness. Ring lights that sit straight over the board are the worst offenders because the reflection bounces right back into the lens. If your scope's light is adjustable, turn the intensity down and angle the source off to the side so the solder pads show a soft sheen instead of a blown-out white spot. A shiny pad that reflects evenly and cleanly is usually good, whereas a dull, gray, or grainy pad means old solder that needs reflowing or cleaning up before anything new goes down.
Flux is your friend here too. A decent dab of flux on the pads before you start makes the solder move visibly instead of just sitting there, so you can actually watch it melt and flow rather than guessing. Wet solder also reflects light differently from dry, so the change in appearance is your real-time confirmation.
If you can, run the scope's output to a monitor instead of looking through the eyepiece the whole session. Your neck and eyes will thank you, and it's easier to glance between the board and your tool when the image is up on a screen in front of you.