I've been fooling around with the Tek TDS 2012. It is an odd change, for the die-hard user of analog scopes. There is a moderate learning curve and a moderate expectation curve.
The first thing that strikes you is that the screen resolution is only 320 x
240, so that "jaggies" are evident much of the time. However, you learn to work around that by choosing appropriate scales and values. The other major surprise is the issue of record length, which isn't an issue at all in an analog scope. The record length in the TDS 1000/2000 scopes is only 2.5k. If you are just looking at waveforms there is no problem, but looking at something like a modulation envelope is a different story.
On the plus side, the inherent storage feature and the ability to capture even fast single shot events and see them at full brightness is a real treat. The built-in FFT function doesn't hurt either. The ability to see pre-trigger events and the ability to make accurate measurements is also great. I do like the "analog" interface, knobs for the common settings instead of menus.
Something I wasn't expecting is the limited dynamic range of the CH1 + CH2 functions. The math is done on the screen image data, rather than the actual sample data. If one or both of your samples create an off-screen display, the add and subtract features use the screen data rather than the signal data and some odd things result. For example, you could not use the Ch1 - Ch2 feature to view differential data in the presence of a large common mode signal. While all scopes have substantial limitations in this regard, most have a dynamic range considerably in excess of the screen size, but these do not!
One thing I DO miss is the ability to do composite triggering. You can trigger on an input, PERIOD. You can not trigger off the screen image, so you find yourself flipping the trigger selection back and forth all the time. There is also no fine adjust for the horizontal sweep speed.
To conclude, for audio work and general "fooling around," I think these are pretty good. I still have some analog scopes (Tek 547, 2225, 465) that I fire up on occasion, but no matter how hard I try to convince myself that they are better I always go back to the digital. I would sum up by saying that the TDS 1000/2000 series does many things, but does none of them exceptionally well. I use the 547 when I need the service of a differential comparator plug-in, for example. But, for the casual or non cutting edge user, they are ideal. No way would I invest another cent in a CRT scope, especially a 465/475 that is already 30 years old and has less functionality than the TDS stuff. The fact that the TDS is only as big as a telephone book doesn't hurt, either!
For audio applications, why should I shell out $500-$600 for a calibrated
465 or 475 scope that 25+ years old when I can get new for a bit more?
Are the TDS scopes Chinese crap? or am I blowing my $$$ on the old stuff?