Arduino-driven singing arc turns electricity straight into sound

Oct 29, 2026 Last reply: 12 hours ago 4 Replies
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Almost every speaker in a normal setup makes sound with a moving cone and coil. This build takes a very different route: the modulated electric arc creates the audio directly through thermal air expansion. Matthew Dunn pairs an Arduino with a high-voltage flyback transformer to do it, and the result audibly plays the Super Mario Bros theme as a chiptune melody. Music coming out of raw electricity is a genuinely striking result.



The circuit is refreshingly small: an Arduino, a flyback transformer with custom primary wire windings, a mosfet driver and a mosfet. A 100uF capacitor must sit close to the mosfet driver, and the maker shared a schematic while describing the whole thing as fairly minimal. The bench around it has a solderless breadboard on a baseplate, an electronics enclosure with an illuminated green light, plus a laptop, a benchtop power supply and an oscilloscope.



To strike the arc, a power source at the rear is switched on; turning the supply off extinguishes it. A wire held near the high-voltage terminal draws a continuous purple-blue arc across the gap, and long-nose pliers hold the electrode wire. At one point the pliers were pulled back to stretch the arc before being moved closer again. After further fine-tuning, the setup performed far better.



One open thread: the bass still distorts. Raising the current appeared to be the main remedy. Hotter, thicker plasma seems to hold steadier on low frequencies, and the maker believes hotter flames wander less, with that wandering behind the distortion. Whether the low end can be cleaned up completely remains an open question.



Project by Matthew Dunn. Watch it on their YouTube channel:

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Placing the 100uF capacitor right beside the mosfet driver looks like a genuinely smart call. Without it, the driver and the mosfet run much hotter; that alone seems to justify keeping the part close. I also admire the custom primary windings on the flyback; tailoring the transformer rather than using it stock shows real commitment.

Did the maker ever land on a specific current value that tamed the bass? I am curious how much headroom the benchtop supply had left once the low end cleaned up, and whether the arc had to sit at the shorter gap for bass passages to stay stable.

What the maker has said is that increasing the current seemed to be the main remedy for the bass distortion. Thicker, hotter plasma appears steadier when playing low notes, and the maker believes hotter flames wander around less, with that wandering behind the distortion. No specific current figure has been given, and nothing has been said about arc length for bass.

A concrete next step would be pushing the current higher still, or only during bass-heavy passages. Increasing the current was already the main fix for the distortion, and hotter, denser plasma appears steadier on the low end. A beefier arc reserved for the bass could be exactly what the low frequencies need.

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