I have a Heathkit ET-3100 electronic design experimenter that has a very basic sine/ square wave function generator. Controls all analog and no scale really. Output is from 200 Hz - 2 Khz on "low" and 2 Khz to 20 Khz on "high". Exact frequency depends on where the pot is adjusted. How can I calibrate this to be more precise, preferably in a simple way?
One of those cheap digital guitar tuners things might point you in the right direction ? (everybody knows somebody who plays the guitar)
I believe there are smartphone apps which display the frequency of the signal coming in to the microphone - whilst recording it. Theres one (of many) examples at
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Or if you know anybody with Cubase (or similar) recording software you could get them to fire up the built in digital tuner tool and see it in glorious technicolor
Great idea. I have Audacity. I could just play the audio output and either capture with mic or feed into soundcard and then see what it is in Audacity. I think that's what I'll do, although I like Phil's suggestion of a DVM with freq counter, been keeping an eye out for one.
Not sure what that means, unless you mean a harmonic of 50/60 Hz. It might be possible to beat by ear if the PC generates the tone and I adjust the generator until it matches by ear, but I think I'm just going to use Audacity and/or a DWM with freq ctr as suggested by Phil.
Wiki says the dial tone is a combination of 350 and 440 Hz. That would be an F major chord, minus the fifth. I guess you could do that. Youtube had a 12 hour long recording of a dial tone. I just tried to tune a guitar A string to that, came out 3 cents sharp by my tuner. But my tuner hears the dial tone as an F. The youtube version sounds like a square wave to my ea rs though.
The 60 cycle power hum doesn't work, it is halfway between a Bb (58) and a B natural (62).
Most of us do have cell phones and you can get free tuning apps on them.
Or you can get a decent electronic tuner for $20.
Those two things have made a huge difference in stabilizing a pitch center. Years back you never knew what pitch a band was going to have - might be
440, 415, 175, who knows? You had to be prepared to accommodate, and some instruments could only be tuned so far. Now amateurs don't play any better in tune, but they play out of tune around an agreed upon pitch, and that m akes it a lot easier.
What you hear on recordings is always autotuned. I don't understand how th at works, but it may be gradually training people to expect things to be in tune. Except Sailor Sabor, of course, who holds the record for the most o ut of tune National Anthem ever, at the CPAC 2021 last week.
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