#1
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Ok, now that I got some encouragement, I am going to start here. This is in spired by fitness forums where people post a training log to chart their pr ogress and get guidance (Needless to say I no longer follow these fitness f orums since I was bitten by the radio bug).
Similarly, this is a design log of me building an AM radio receiver and mos t of the steps I have to go through. Some of that stuff will be laughable t o plenty of people here due to my extreme electronics inexperience. I am an electronics and RF newbie (I have posted about that before), and I am tryi ng to learn.
There will be another one later for FM radio. The goal is not AM or FM radi o. It's the amplifiers, oscillators, mixers, noise figures, detectors, etc etc. I have chosen AM and FM because they are guaranteed to be always there , and the goal seems to be pretty well defined. Amateur bands will come lat er. I only got my license about a week ago and I don't have experience oper ating. With amateur bands you also really need a transmitter most of the ti me and transmitters are still further down my list.
With respect to AM radio, I am fully aware of Ron Quan's popular book (and own it), but I promised myself I will not touch that book until I have gott en my hands dirty enough with personal experimentation. I want to commit so me serious errors before I look into a ready-built project book :)
------------------------------------------------------------ First step is to understand about Mixers. I was told these are the most com plicated parts of the radio and have very specific requirement. At this poi nt I don't have any spec for the signals that will be at the mixer ports (J eff Liebermann are you staring at me?)
So I thought I'd first build a two tone module with a variable output level then build the mixer and find the best performance the mixer can give. Fro m this I can go backward to the Antenna and try amplifying the signal comin g from the Antenna to the level established by my experiments with the Mixe r.
--------------------------------------------------------------- Two Tone generator:
For the AM band build two oscillators one at 550 KHz, another at 1600KHz. S um those two signals then using an attenuator, control the level going into the Mixer.
My choice of oscillator was arbitrary. Just pick the first oscillator desig n from "Experimental Methods" which happened to be a JFET Hartley oscillato r. Seems like an overkill for a 2MHz oscillator but I don't care at this po int. I'm sure I'll learn a thing or two.
I decided to choose L much larger than C presumably because this improves t he Q. I picked a value of C around 600pF. 1. Because I found some in my jun k box 2. Because I found variable caps online in the pF range which makes i t easier for me to change the design to use variable caps in case I wanted to build a VFO.
@580pF + 550KHz -> L = 144uH. This was worked out to about 17 turns on an FT50-43 toroid
@595pF + 1600KHz -> L = 16uH. This was worked out to about 15 turns on an FT50-61 toroid
Still not sure whether the relatively small number of turns would hurt the Q or not.
I have a few Toroids on order from eBay.
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Summing amplifier:
Once the two oscillators are working (hopefully) I would like to combine th em together to form something resembling the AM band. For AM I should then probably insert a filter before the mixer.
I looked into ways of combining signal and I found the concept of the Hybri d Combiner. I feel this is probably more usable at higher frequency.
I decided I should be Ok just using an OpAmp. With an OpAmp I could sum the two signals and possibly easily control the output impedance seen by the f ilter or mixer. I could also amplify or attenuate the signal coming from th e oscillator.
I am convinced that I can use the same approach even when I start working w ith the FM band. I suspect that nowadays using an OpAmp to sum two signals in the 100 MHz range should be a piece of cake for modern OpAmps provided y ou pick the right OpAmp with good frequency response.
------------------------------------------------------------ Takeaway:
- Generate two tones using some arbitrary Hartley Oscillator
- Choices of L and C may not be appropriate. Unsure about whether 15 turns on a toroid should be good for Q and oscillation.
- Sum two signals using an OpAmp
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Next steps:
- Once the toroids arrive I will start building the oscillators on perfboar ds and check their output then I'll throw in the OpAmp and see what I get. I'll then add a filter/amplifier before the mixer.